GIOTTO di Bondone Ognissanti Madonna (angel) c. 1310

Medium Large Xlarge Full painting The other angel
Tempera on wood, width of detail 25 cm, Galleria degli Uffizi, Florence

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GIOTTO di Bondone, No. 14 Annunciation (Gabriel) 1306

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Subtitle: The Angel Gabriel Sent by God
Fresco, 150 x 195 cm, Cappella Scrovegni (Arena Chapel), Padua

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LORENZETTI, Ambrogio Allegory of Summer 1338-40

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Medallion. Connected to the Allegory of the Good Government. Fresco, Palazzo Pubblico, Siena

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LORENZETTI, Ambrogio Allegory of Bad Government (angel) 1338-40

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Fresco, Palazzo Pubblico, Siena, Italy

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ICONS Archangel Gabriel, 1387–1395

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Byzantine style. 146 × 106 cm, Tretyakov Gallery, Moscow, Russia
title alt tags labels letter

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ICONS Archangel Michael, 14th century

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Scanned from a book about icons from Balkans, see Wikimedia Commons

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GUARIENTO d'Arpo Angel 1354

Medium Large
Tempera on panel, Museo Civico, Padua

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GUARIENTO d'Arpo Archangel 1350

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Tempera on panel, 80 x 57 cm, Museo Civico, Padua

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LORENZETTI, Ambrogio Allegory of Bad Government (detail) 1338-40

Medium Large Another version, Xlarge
Medallion Larger view of the fresco and some Info
Fresco, Palazzo Pubblico, Siena

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SIMONE MARTINI Maestà (detail)1315

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Fresco, 99 x 85 cm (size of detail) Palazzo Pubblico, Siena

Maestà, the Italian word for "majesty", designates an iconic formula of the enthroned Madonna with the child Jesus , whether or not accompanied with angels and saints. The Maestà is an extension of the "Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine mosaics.

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GUARIENTO d'Arpo Angel, 1354

Large
Tempera on panel, Museo Civico, Padua

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GUARIENTO d'Arpo Angel, 1354

Large
Tempera on panel, Museo Civico, Padua

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FRESCOS, Italian Two angels, first quarter of 14th century

Medium Large (left angel)
Medium Large (right angel)
These fresco fragments of flying angels are important testimony to the profound influence of Giotto's frescoes in the Arena Chapel at Padua on painting throughout northern Italy in the early fourteenth century. (Metropolitan Museum of Art)

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SIMONE MARTINI Polyptych (angel) 1320-25

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Tempera on wood, 59 x 35 cm, Fitzwilliam Museum, Cambridge

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CIMABUE Christ Enthroned between the Virgin and St John the Evangelist (detail) 1301-02

Xlarge Another location Full-lenght
Mosaic, 385 x 223 cm, in the apsis in the Cathedral (Duomo) of Pisa

The full mosaic is not by Cimabue... perhaps only the head of St. John, according to Wikipedia

Apsis - a domed or vaulted recess or projection on a building especially the east end of a church; usually contains the altar (Dictionary.com)

Technorati Tags: cimabue, christ, enthroned, virgin, john, evangelist, 1301-02, mosaic, face, book, hands, hariberth

WILTON Diptych, Virgin and Child with Angels 1395

Large Xlarge Left panel
Tempera on oak panel, 36,8 x 26,7 cm, National Gallery, London

This is the right panel of the Wilton Diptych (named after the house in which it was preserved), the finest work in England in the International Gothic style. Although it is a painting of extraordinary beauty and must be from the hand of an artist of the highest rank, critics disagree as to whether he was English, French or Italian. (Web Gallery of Art)

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PORTRAITS, Jean le Bon, King of France c1360

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Wood, 60 x 44 cm, Musée du Louvre, Paris

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MAITANI, Lorenzo Fourth Pillar (detail) 1310-30

Large
Lorenzo Maitani, Italian sculptor and architect, ca. 1255-1330
Marble, Façade of the Orvieto Cathedral (Duomo)

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PISANO Andrea Daedalus (Flight) 1334-1336

Large More hexagonals and other reliefs from Giotto's Belltower (the Campanile)
Marble, Museo dell'Opera del Duomo, Florence

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LORENZETTI, Ambrogio Effects of Good Government in the Countryside (angel) 1338-40

Large
Fresco, Palazzo Pubblico, Siena

What is the sign saying? Perhaps something about how peaceful the country is, now, when the government is good...

Technorati Tags: lorenzetti, effects, good, government, countryside, angel, 1338-40, frecso, sign, story